One of Petersen's goals was to guide the audience through "a journey to the edge of the mind" (the film's German tagline Eine Reise ans Ende des Verstandes), showing "what war is all about". During production, Heinrich Lehmann-Willenbrock, the captain of the real U-96 during Buchheim's 1941 patrol and one of Germany's top U-boat "tonnage aces" during the war, and Hans-Joachim Krug, former first officer on U-219, served as consultants. Several American directors were considered three years earlier before the film was shelved. It depicts both the excitement of battle and the tedium of the fruitless hunt, and shows the men serving aboard U-boats as ordinary individuals with a desire to do their best for their comrades and their country.ĭevelopment began in 1979. There are also several different home video versions as well as a director's cut supervised by Petersen in 1997.Īn adaptation of Lothar-Günther Buchheim's 1973 German novel of the same name based on his experiences aboard German submarine U-96, the film is set during World War II and follows U-96 and its crew, as they set out on a hazardous patrol in the Battle of the Atlantic.
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It has been exhibited both as a theatrical release and a TV miniseries (1985). Funeral services will be private.Įrik Pedersen contributed to this report.The tower of the submarine, Bavaria Studios, Munichĭas Boot ( German pronunciation:, English: "The Boat") is a 1981 West German war film written and directed by Wolfgang Petersen, produced by Günter Rohrbach, and starring Jürgen Prochnow, Herbert Grönemeyer, and Klaus Wennemann. In addition to his wife, Petersen is survived by his son, Daniel, and two grandchildren. His first theatrical pic was One or the Other (1974), and he followed that with The Consequence in 1977, for which he also penned the adapted screenplay.
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My memory is of a man full of joie de vivre who was doing what he most loved to do.“īorn on March 14, 1941, in Emden, Germany, Petersen began his directing career with short films and TV movies in the 1960s and ’70s. He would point to us in turn and say, “Acting…acting…NO acting…NO acting…ACTING… aaaacting!” He didn’t waste anyone’s time. You knew the camera would pause on you by his hilarious direction while setting up the shot. Wolfgang set a remotely controlled camera that could rotate in place, seamlessly covering all of us, one after another. “Even though the script was thrilling and incredibly intense, I remember a lot of laughs, especially in the scenes around the huge table in the War Room. “Being directed by Wolfgang on Air Force One remains a special memory,” Glenn Close said in a statement Tuesday. He was well-liked amongst his peers and admired by the talent he worked with including Clint Eastwood, Harrison Ford, George Clooney, Brad Pitt, Rene Russo, Glenn Close, Mark Wahlberg, Dustin Hoffman, Morgan Freeman and Diane Lane. He also produced or exec produced several pics he helmed, including Perfect Storm, Outbreak and In the Line of Fire, along with such films as Instinct and Bicentennial Man (both 1999), and Red Corner (1997).ĭiane Lane Remembers ‘Perfect Storm’ Director Wolfgang Petersen: “A Big, Loving Soul” Gary Oldman Harrison Ford in ‘Air Force One’ Everett Collection
Petersen also helmed the space-set 1985 sci-fi pic Enemy Mine and directed and co-wrote 1984’s fantasy film The NeverEnding Story. The BBC aired a three-part, 300-minute miniseries in the mid-1980s, and a 1997 director’s cut clocked in at 208 minutes.
Erwin Leder in ‘Das Boot’ Everett Collectionĭas Boot was released in multiple versions, starting with the 149-minute original theatrical pic. He quickly became one of the most in-demand directors of technically complex star-driven studio action films - a run that included The Perfect Storm (2000), Air Force One (1997), Outbreak (1995), In the Line of Fire (1993), Shattered (1991) - which he also wrote - Troy (2004) and Poseidon (2006). Hollywood & Media Deaths 2022: A Photo Gallery
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